In her series Bordello, Speers has created edgy photos that play with seduction, sensuality and femininity. The romantic decadence of Paris nightlife in the 1920s and 30s - eternalized most famously, perhaps, by the photographs of Brassaï - comes to life afresh in this series of sensuous photos shot on location in former bordellos where the lavish decors have survived intact.
‘My interpretation is an idealistic and romantic view, but nevertheless engages the viewer in more than a wander through the mind’s desires. I created my own interpretation of ‘les maisons closes’ from historical references and images, as well as shooting in real bordellos for the authentic and opulent décor.’
Speers produced this series as Fresson carbon prints: a unique 19th century hand-worked technique using a charcoal process with a sumptuous painterly quality that lends itself ideally to both series.
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